Post by Admin on Nov 12, 2015 16:18:12 GMT
Name: SERIAL NUMBER SPONGEBOB SQUAREPANTS OBSTACLE ODYSSEY
File size: 24 MB
Date added: May 6, 2014
Price: Free
Operating system: Windows XP/Vista/7/8
Total downloads: 1321
Downloads last week: 45
Though it lacks some of the capabilities of the more expensive Photoshop Touch, including cross-iOS/Android compatibility and compositing, it looks like it has a reasonably broad image-editing feature set and a major advantage: it can handle images up to 19 megapixels, while Adobe's app is limited to 1,600x1,600 pixels. Though it was launched with the new iPad--and will probably be really nice to use with that model's high-resolution Retina Display and quad-core processor--SERIAL NUMBER SPONGEBOB SQUAREPANTS OBSTACLE ODYSSEY will also run on an iPad 2 and iPhone 4/4S. The app's browser interface supports side-by-side comparisons, flagging, favoriting, and the ability to select photos similar to the selection, which seems to mean photos shot around the same time with similar compositions. You can add captions here as well. The adjustment interface, in which you can directly drag on the image to change parameters like saturation, exposure, contrast, and so on, isn't new, but is probably new to tablets and touch. Unlike Photoshop Touch, there are no masking or selection tools; the best you can do is crop the image if the offending object is near the edge of the frame. The whizziest of the automation tools is autostraightening based on horizon lines in the photos. Apple rather misleadingly terms its localized adjustment tools "brushes"--misleading because I think people associate brushes with painting. Nevertheless, these can be really useful, and there's automatic edge detection to allow it to protect areas against changes; that's very nice, but the changes are so subtle, at least on my old low-resolution iPad 2, that it's hard to tell if it's working. You can perform localized changes to saturation, brightness, and sharpness, plus there's a red-eye removal brush and a Repair brush for blemish-removal-type operations. Overall, the adjustments underwhelmed, as they don't seem cumulative. In other words, you get one sharpness brushstroke over a given set of pixels. And the quality was meh: for instance, the Repair brush just blurred over the offending pixels. The special-effects selection doesn't compare with what you get in a lot of apps out there, however. Your choices are a handful of variations on six themes: Artistic (such as watercolor, oil paint, and tilt shift), Black and White, Duotone, Cooler/Warmer, Vintage (various film tones), and a monochrome with saturated color call-out called Aura. You can adjust the intensity of some of th
File size: 24 MB
Date added: May 6, 2014
Price: Free
Operating system: Windows XP/Vista/7/8
Total downloads: 1321
Downloads last week: 45
Though it lacks some of the capabilities of the more expensive Photoshop Touch, including cross-iOS/Android compatibility and compositing, it looks like it has a reasonably broad image-editing feature set and a major advantage: it can handle images up to 19 megapixels, while Adobe's app is limited to 1,600x1,600 pixels. Though it was launched with the new iPad--and will probably be really nice to use with that model's high-resolution Retina Display and quad-core processor--SERIAL NUMBER SPONGEBOB SQUAREPANTS OBSTACLE ODYSSEY will also run on an iPad 2 and iPhone 4/4S. The app's browser interface supports side-by-side comparisons, flagging, favoriting, and the ability to select photos similar to the selection, which seems to mean photos shot around the same time with similar compositions. You can add captions here as well. The adjustment interface, in which you can directly drag on the image to change parameters like saturation, exposure, contrast, and so on, isn't new, but is probably new to tablets and touch. Unlike Photoshop Touch, there are no masking or selection tools; the best you can do is crop the image if the offending object is near the edge of the frame. The whizziest of the automation tools is autostraightening based on horizon lines in the photos. Apple rather misleadingly terms its localized adjustment tools "brushes"--misleading because I think people associate brushes with painting. Nevertheless, these can be really useful, and there's automatic edge detection to allow it to protect areas against changes; that's very nice, but the changes are so subtle, at least on my old low-resolution iPad 2, that it's hard to tell if it's working. You can perform localized changes to saturation, brightness, and sharpness, plus there's a red-eye removal brush and a Repair brush for blemish-removal-type operations. Overall, the adjustments underwhelmed, as they don't seem cumulative. In other words, you get one sharpness brushstroke over a given set of pixels. And the quality was meh: for instance, the Repair brush just blurred over the offending pixels. The special-effects selection doesn't compare with what you get in a lot of apps out there, however. Your choices are a handful of variations on six themes: Artistic (such as watercolor, oil paint, and tilt shift), Black and White, Duotone, Cooler/Warmer, Vintage (various film tones), and a monochrome with saturated color call-out called Aura. You can adjust the intensity of some of th